Manual article review is required for this article
Manual article review is required for this article
Manual article review is required for this article
Within the Protestant Netherlands, Rembrandt made use of this sober new palette of blacks and browns to generate portraits whose faces emerged within the shadows expressing the deepest human emotions. The Catholic painters with the Counter-Reformation, like Rubens, went in the other path; they crammed their paintings with vibrant and rich shades.So